“An album that is perfect for any summer road trip”
“Continuing on his quest to explore his own sonic potential, the LP conceals depth amidst the violence of a loud and scrappy sound. “
The Canadian duo are back.
AFI’s new record has enough on offer that even the pickiest of AFI fans should rejoice.
“An unironic slice of string-based oversaturation released for the consumption of an America divided and a world afraid”
Frank Carter, has gathered up his den of snakes to release their second album, Modern Ruin.
“Intense and pulsing yet all the while flowing and whimsical.”
‘Oczy Mlody’ is everything you could hope for from a band you don’t know what to expect from.
‘Rennen’ is beautifully human
With ‘I See You’, The xx not only press ‘reset’, but also liberate themselves
‘Night People’ pays homage to the sound fans have come to love and expect, but also presents a willingness by the band to traverse new territory.
Starboy is hooky, and hypnotic, but is it enough?
“Perhaps the brightest hope in locally-produced hip hop right now.”
And how each song compares to other Metallica tunes that you (hopefully) know
“An album that is as weird as it is wonderful, and is sure to sit amongst some of the best end-of-year listening.”
Guilt, anguish, catharsis, realisation, forgiveness and release – Emeli Sandé’s ‘Long Live The Angels’ is a transfigurative divorce album.
“A wonderfully purposeful, full album experience.”
Kookaburras, a session of parliament and Tina Arena – Client Liaison’s debut album has everything we love about the Australiana-themed duo, and then some.
“Brace for the end of mum rock: Birds Of Tokyo have come home to roost with their heaviest album in close to a decade.”
Jack Grace’s ‘River’ is raw, brave and erratic, the unfurling of each song a series of sonic surprises. It is a precious first listen.