Pixies – Sydney, Opera House 23/05/14

The organisers of Sydney’s Vivid festival hit Pixies fans for six when they announced a four-night residency at the Opera House. Suffice it to say, anticipation was high, and expectations were met and exceeded in one of the finest gigs of the year.

Not ones to fuck around, the Pixies served up a professional performance, with minimal chatter and zero cheesy rockstar-cliché behaviour. Frontman Black Francis led the charge alongside regular cohorts Joey Santiago on lead guitar and David Lovering on drums. Former bassist Kim Deal is still out of the band — though there is an open invitation for her to return — but her most recent replacement, the delectable Paz Lenchantin, formerly of A Perfect Circle and Zwan, was faultless.

While it was a little odd to be seated for a Pixies performance, the payout was the scrumptious Opera House acoustics. Opening with an epic trifecta of Bone Machine, Wave Of Mutilation, and U-Mass, it was clear the crowd was in for something special. The band served up a fan’s wet dream – a greatest hits set combined with a few cuts from new album Indie Cindy, such as Bagboy and What Goes Boom.

Pixies left little time for contemplation as they reeled off the big singles, fan favourites, and timeless classics – and rest assured, they have them all. From the galloping rock of Nimrod’s Son, to Caribou’s twisted fury and the thrash-like Vamos, this was virtuoso rock at its best. After a jaw-dropping 24-song set, it was time for a break and the inevitable encore.

Most of the crowd rose to its feet and began dancing to an encore of The Holiday Song, Mr Grieves, and Debaser, followed by Tony’s Theme. Okay, Pixies, mind blown. At the stroke of 10pm, the house lights were illuminated as the Opera House curfew arrived. The band fired off their final rock and roll rocket in the form of Planet Of Sound and fans went appropriately wild.

The Pixies are often credited for laying the groundwork for what was to become the indie rock of the ’90s. Alongside Dinosaur Jr, they offered an alternative to cheesy ’80s pop and hair metal, influencing a generation of young aspiring musicians. And as one of the finest American bands of the last 30 years, they most certainly cemented their authority with a sizzling Opera House performance that was equal parts beautiful, loud, and sonically tight as fuck.

Watch: Pixies – Greens and Blues


Bone Machine

Wave of Mutilation


Gouge Away



Crackity Jones



Ed Is Dead

Indie Cindy

Nimrod’s Son

La La Love You

Greens and Blues

Brick Is Red


Rock Music

Isla de Encanta

What Goes Boom

I’ve Been Tired

Monkey Gone to Heaven


Where Is My Mind?

Here Comes Your Man

The Holiday Song

Mr. Grieves


Tony’s Theme

Planet of Sound

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